Neo Rauch’s 2020 exhibition "Handlauf" , hosted at Galerie EIGEN+ART in Leipzig, plunges viewers into an enigmatic dreamscape where time bends and meaning hovers just beyond reach. Drawing from the German word for "handrail"—a device meant to provide balance—Rauch constructs a visual narrative that explores equilibrium, both literal and metaphorical, within chaotic environments.

Lisson Gallery’s 2016 exhibition "Roots and Branches" positions Ai Weiwei as both chronicler and critic of the modern condition—exploring themes of displacement, environmental degradation, and cultural erosion through monumental sculptures and immersive wallpaper installations.

In the aftermath of World War II, as Europe sought to rebuild not only its cities but also its cultural identity, Władysław Strzemiński’s “Neoplastic Room” emerged as a bold architectural gesture toward modernist ideals. The “Neoplastic Room” is more than an exhibition venue; it is an artwork in itself.

The influence of Raphael, the "divine" Renaissance master, reverberates through time in "Raffael. Legacy and Inspiration" , an exhibition at Dresden’s Gemäldegalerie Alte Meister.

Walking through "Mondrian Evolution" at the Fondation Beyeler feels like witnessing a slow but inevitable ascent—from the grounded tranquility of Dutch landscapes to the soaring clarity of pure abstraction. This focused exhibition charts Piet Mondrian’s artistic journey from his early naturalistic works rooted in the Hague School tradition to the radical geometries that defined De Stijl.

The exhibition “Northern Light: The David Kronn Photography Collection” unfolds at the intersection of historical trauma and visual testimony, offering a haunting meditation on The Troubles. Anchored by works from Rosalind Fox Solomon, David Farrell, Gilles Caron, and Chris Steele-Perkins, it juxtaposes visceral documentary imagery with poetic meditations on loss, creating a dialogue between past and present.

Tucked inside Swiss Institute’s East Village location—a former Chase Bank branch turned contemporary art space—Jill Mulleady’s "Fight-or-Flight" unfolds like a fever dream. The exhibition channels the fraught psychological and environmental tensions of our time through allegorical paintings and sculptural interventions that merge myth, memory, and modern ruin.

In an era marked by political fragmentation and cultural dissonance, Wolfgang Tillmans’s Installation (1992–2018) at the Albertinum in Dresden arrives as both a contemplative retreat and a resonant call for reflection. The exhibition is not merely a retrospective but a carefully constructed narrative that spans nearly three decades of Tillmans’ photographic practice, weaving together personal intimacy, historical trauma, and abstract experimentation.

In the contemporary art world, where medium-specific boundaries are increasingly blurred, Photographer as Sculptor, Sculptor as Photographer emerges as a timely exploration of the interplay between two distinct yet deeply interconnected artistic practices. On view at Bruce Silverstein Gallery in New York, the exhibition challenges the historical hierarchy that has often placed sculpture above photography, asserting the latter’s equal capacity for abstraction, materiality, and spatial presence.

Four hundred fifty years after his death, Pieter Bruegel the Elder continues to cast an enigmatic shadow over the art world, his expansive imagination echoing through the halls of the Kunsthistorisches Museum in Vienna. The exhibition, Pieter Bruegel the Elder: Once in a Lifetime (2018–2019), uniquely celebrates the Netherlandish master's legacy through an unprecedented assemblage of paintings, prints, and drawings.