The Hidden Statement project represents a groundbreaking digital sanctuary for Afghan artists facing unprecedented oppression under Taliban rule. Launched in May 2023, this innovative initiative creates virtual exhibitions that preserve and showcase artworks at risk of destruction, transforming digital archiving into a powerful act of cultural resistance.
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In an era marked by political fragmentation and cultural dissonance, Wolfgang Tillmans’s Installation (1992–2018) at the Albertinum in Dresden arrives as both a contemplative retreat and a resonant call for reflection. The exhibition is not merely a retrospective but a carefully constructed narrative that spans nearly three decades of Tillmans’ photographic practice, weaving together personal intimacy, historical trauma, and abstract experimentation.
In the contemporary art world, where medium-specific boundaries are increasingly blurred, Photographer as Sculptor, Sculptor as Photographer emerges as a timely exploration of the interplay between two distinct yet deeply interconnected artistic practices. On view at Bruce Silverstein Gallery in New York, the exhibition challenges the historical hierarchy that has often placed sculpture above photography, asserting the latter’s equal capacity for abstraction, materiality, and spatial presence.
Four hundred fifty years after his death, Pieter Bruegel the Elder continues to cast an enigmatic shadow over the art world, his expansive imagination echoing through the halls of the Kunsthistorisches Museum in Vienna. The exhibition, Pieter Bruegel the Elder: Once in a Lifetime (2018–2019), uniquely celebrates the Netherlandish master's legacy through an unprecedented assemblage of paintings, prints, and drawings.
In a cultural era where confrontations with historical injustice provoke both introspection and societal upheaval, Andres Serrano’s exhibition Infamous at Fotografiska New York boldly engages viewers in an unapologetic exploration of America's deeply ingrained racism.
In an era shadowed by global crises, the German Pavilion at the 60th Venice Art Biennale 2024 compellingly explores the nature of boundaries—both physical and conceptual—in its provocative exhibition, Thresholds. Curated by Çağla Ilk and featuring artists Yael Bartana and Ersan Mondtag, Thresholds leverages the fraught historical context of its venue, the Giardini della Biennale, to interrogate notions of nationalism, identity, and future possibilities.
Discover how this course prepared students to design future exhibition experiences by bridging physical and virtual spatial concepts, with a particular emphasis on innovative curatorial practices and technological integration.
Discover how MFA curatorial students from the University of Paris 8 collaborated with three key partners: the Seine-Saint-Denis Regional Contemporary Art Collection (FRAC), the contemporary art space Le Sample, and the virtual exhibition platform Walter's Cube.
Discover how the Hungarian Academy of Fine Arts and Walter's Cube have developed an innovative project that creates detailed 3D digital documentation of graduate exhibitions across all artistic disciplines, capturing works from painting, sculpture, graphics, and intermedia departments in three exhibition venues.
While the world tries to decide how to be chic enough for the higher circles but not too fashionable to the point of mainstream, Ruckhäberle figured out how to bring laughter into smokey dens.
Beauty and use can go hand in hand. No, this is not a clothing ad. This is Gianni Politi's art.
