Sculpting Light, Framing Form
In the contemporary art world, where medium-specific boundaries are increasingly blurred, Photographer as Sculptor, Sculptor as Photographer emerges as a timely exploration of the interplay between two distinct yet deeply interconnected artistic practices. On view at Bruce Silverstein Gallery in New York, the exhibition challenges the historical hierarchy that has often placed sculpture above photography, asserting the latter’s equal capacity for abstraction, materiality, and spatial presence.