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In the canvas, as in a clearing of words, in a free time of memory, the sign, the result of a... more >> The greatest interest in Ambrosio is the moment in which, through the trial and error process, without cutting the bridges with the unconscious, things are born immersed in undulating circumstances of work in the continuous research that manages to channel the creative fervor of the design that leaves the sign-trace, the sign’s significance .©
In the canvas, as in a clearing of words, in a free time of memory, the sign, the result of a long, tormenting search for the language of the mind, de-lines reality, penetrates its secrets, and becomes aware of a subterranean nature labyrinthine. In this language, the signs with their abstract handwriting do not have in themselves the ambiguity of the gesture but are bearers, in their conscious clarity of doing, of an arcane message that distills the images and determines, in an autonomous statute, the authenticity of language. The di-sign germinates and grows, it does not freeze in color, but from this it acquires value in an expression of itself in the sign’s significance. ©