Loading...
Pabellon 4 Arte Contemporáneo Dino Bruzzone
Brief of Pabellón 4 Contemporary Art
Pabellón 4 Contemporary art, is a meeting place for proposals of contemporary Latin American art, with the commitment to assume practices that prioritize the intellectual search, making emphasis in the production of works in different supports and disciplines, we stand out for being an independent reflective space that extends its praxis to the entire field of cultural production, with a semantic project that proudly privileges the quality of our artists and the exhibitions we represent.
Pabellón 4 offers an annual program of 8 mostly individual exhibitions, where the artist can present from an important work, to a coherent body of work within a specific focus.
We look for committed artists, who have reflective capacity beyond preconceived forms or generational segmentations.
In this sense, our interest in collaborating with avant-garde artistic development focuses on the promotion and reinvindication of innovative and emblematic Argentinian and Latin American artists and the representation of singular references of the new plastic languages.
Dino Bruzzone:
Divisionismo, the new series of paintings by Dino Bruzzone, allows us to think the intersection between photography and painting as a portal to enter the complexity of contemporary image.
Dino scans the cover of a comic book of the sixties, to decompose and to focus on a RGB color point. According the chosen point, the red, the green or the blue, the points have diferent scales and forms of distribution, either ninety degrees or diagonals. Then he makes the lineal and black comics drawing on a canvas, masking the canvas with a map of the points, he projects that map as one who projects an image on a photographic paper, but
in this case oil painting points to make them appear. We are no longer to rebuild or deformation of the image as in previous works, else an atomization where the color is the focus point.
For Dino, color prints of comics by Ben Day dot technique has been an important first cultural experience with color as an entity in itself; as matter and texture, something possible to enjoy and perceive beyond the image that encapsulates it.
Dino recovers the sensation of color as pure corporeal matter. This search is emphasized by releasing and autonomise points: in some tables correspond exactly to the figure in black, but other several centimeters are offset achieving unchecking the color of the line, deconstructing what could be the background color and color the figure.
All these rematerialization color strategies, coming from the pleasant memory of the Ben Day points, are developed through an element for nothing whimsical: oil, DNA of color in the art of the last 500 years, you may go to the pointillism (one of the first moves that analyzes the pure elements of painting and paves the way toward abstraction), through expressionism (field of modern pictorial emotionality) and saturating in the Pop (movement dismantles modernity and autonomy by inviting the popular image in the discussion).
Pointillism is pop, pop is expressionism, expressionism Ben Day points, the RGB Ben Day a CMYK photoshop, photoshop a painting tool, painting a way to embody the color, texture, color an item to reflect on photography and, in turn, on the emotional return of childhood memories he has always been present in the work of Dino Bruzzone
Collections
MALBA, Museo de Arte Latinoamericano, Buenos Aires.
Museo Castagnino, Rosario.
Museo de Arte Contemporáneo, Santiago de Chile.
Museo de Arte Moderno de la Ciudad de Buenos Aires.
Museo Nacional de Bellas Artes, Buenos Aires.
Allied London Properties,.
Colección Yankelewicz Buenos Aires
Colección César Gaviria, Colombia
CAB, Burgos, España, Colección Fotomuseo. Bogotá, Colombia.
Alejandro Zaia Madrid / Londres.
Arte Al Limite Chile.
Alfredo Hertzog San Pablo
Valerie Jungels winkler Londres
Juan Musciolo Buenos Aires
Eduardo Mallea Bruchou, Fernández Madero & Lombardi, Buenos Aires
UBS Collection Alain Bouvrot Suiza
David Telepak Londres
Jean Pierre Murray Beverlly Hills – Ny
Regina Del Carril Buenos Aires
Juan Miguel Raffo Lima
Diego Gamero Lima
Jorge Anzorreguy Buenos Aires
Javier Gonzales Lagunas Barcelona
Elena Kadcova Rusia
Sandra Borges Portugal
Biennials
Bienal de San Pablo. Brasil (catálogo). Curadores: Alfons Hug (internacional) y Jorge Glusberg (argentino).
Bienal de Santiago de Chile.
Museo de Arte Contemporáneo (catálogo).
Bienal Internacional de Venecia. Italia. Curadores: Laura Buccellato y Jorge Glusberg.
Bienal del Mercosur. Porto Alegre, Brasil.
