In a time when labor’s meaning grows ever more ambiguous, What Work Is, Șerban Savu’s 2024 exhibition for the Romanian Pavilion at La Biennale di Venezia, speaks in the subdued tones of inertia.

Yadegar Asisi’s Pergamonmuseum. The Panorama offers a compelling fusion of historical reconstruction and contemporary artistic vision, creating an immersive experience that transcends the static display of antiquities.

“We want our paintings hanging in the common room or in the hall, to lift the spirits with their clarity, help in the daily toil with their colorfulness.” These words from Andrzej Wróblewski himself reveal his desire for art to be both emotionally resonant and socially embedded.

In the digital age where advertising shapes our perception and reality is mediated through screens, Roy Lichtenstein's centennial exhibition at the Albertina Museum in Vienna serves as a poignant reflection on the intersection of art and mass culture.

The exhibition Adrian Ghenie: Shadow Paintings at the ALBERTINA Museum presents a compelling dialogue between contemporary artistic practice and early 20th-century modernism. Curated with precision and conceptual clarity, the show explores the psychological and aesthetic terrain shared by Adrian Ghenie and Egon Schiele through a series of charcoal studies and final paintings that reimagine Schiele’s lost works.

In a cultural era riddled with anxiety, self-optimization, and political unrest, Maryam Jafri's War on Wellness at Kai Matsumiya, New York, boldly interrogates the complexities underpinning contemporary wellness culture.

In an era where contemporary art often feels untethered from its historical foundations, Friend (A Survey of Op Art & Minimalism) in Support of Sentebale at Ki Smith Gallery offers a rare and compelling convergence of past and present.

Jean-Michel Basquiat's work continues to electrify the art world more than three decades after his death, and this comprehensive exhibition at The Brant Foundation Art Study Center in New York City offers a powerful reexamination of his revolutionary visual language.

In an era where consumer imagery saturates our daily lives, Jeff Koons’ Easyfun-Ethereal exhibition at Gagosian in New York offers a visually overwhelming yet conceptually rich exploration of how advertising, nostalgia, and high art intersect.

At a time when contemporary art often gravitates toward polished surfaces and market-ready aesthetics, Galli: See How You Get On at Berlin’s PalaisPopulaire offers a jarring yet deeply compelling alternative.