At What Year Are You? / Hányas Vagy?, currently on view at MODEM in Debrecen, the museum’s newly acquired status meets a curatorial challenge that few institutions dare to tackle: organizing a permanent collection not by movement or medium, but by birth year.
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In a cultural era where confrontations with historical injustice provoke both introspection and societal upheaval, Andres Serrano’s exhibition Infamous at Fotografiska New York boldly engages viewers in an unapologetic exploration of America's deeply ingrained racism.
In an era shadowed by global crises, the German Pavilion at the 60th Venice Art Biennale 2024 compellingly explores the nature of boundaries—both physical and conceptual—in its provocative exhibition, Thresholds. Curated by Çağla Ilk and featuring artists Yael Bartana and Ersan Mondtag, Thresholds leverages the fraught historical context of its venue, the Giardini della Biennale, to interrogate notions of nationalism, identity, and future possibilities.
While the world tries to decide how to be chic enough for the higher circles but not too fashionable to the point of mainstream, Ruckhäberle figured out how to bring laughter into smokey dens.
Beauty and use can go hand in hand. No, this is not a clothing ad. This is Gianni Politi's art.
Where reality and fantasy meets, Tilo Baumgärtel dreams about things that perhaps could happen. Or not.
The seventh part of our new series of reviews: the online exhibitions our users made with the Online Viewing Room.
The sixth part of our new series of reviews: the online exhibitions our users made with the Online Viewing Room.
The fifth part of our new series of reviews: the online exhibitions our users made with the Online Viewing Room.
The fourth part of our new series of reviews: the online exhibitions our users made with the Online Viewing Room.
The third part of our new series of reviews: the online exhibitions our users made with the Online Viewing Room.
